51勛圖

2023 51勛圖 - 51勛圖- 2012-2013 Academic year

Anthropology Club meetings 2012-2013

26 訄郈迮郅, 2013

迮迮/邽郇郕訄 郈郋郇郕郋邿 郕郅 赲 迮 郱訄赲迮迮郇邽 迮邾迮訄, 訄郕訄迡迮邾邽迮郕郋迣郋 迣郋迡訄 邽 赲迮迮郇郇迮迣郋 迮郱郋郇訄 訄郇郋郈郋郅郋迣邽迮郕郋迣郋 郕郅訇訄

郈郋迣訄邾邾迮 赲迮邽:

1) 迮訇郋郅郋邿 郕郕 赲 郈郋郇郕 郕郅 (虴郋郅郈郋郇 虴郋訄迮赲訄)
2) 郈郅迮郇邽迮 郈郋郇郕邽 訇訄訄訇訄郇邽郕郋赲 苠訄邿郕郋
3) 郈郅迮郇邽迮 邾訄迮郋赲 迮郇迡郋
4) 訄迮 郕郅訄 郈郋 郋邽迣訄邾邽 (邾訄迣郅 迮郕迮訄迮赲訄 邽 郱訄 苤郅訄郇訄郅邽迮赲訄)
5) 觓郈郋郇郕訄 郈迮郇 赲 邽郈郋郅郇迮郇邽邽 郅迮郇 郅迮郕迮迮赲郋邿
6) 郇邽邾迮

訄郕迠迮 郈邽訄 邽 郇訄郈邽郕邽!

17 訄郈迮郅, 2013

郅訄迡邽邾邽 訄邽

苤邾郅 邽 迮郇郇郋邽 郇訄 郈迮迮郋迡迮 郈郋 邽 赲 郕迣迮 .

赲郋迮邿 郈迮郱迮郇訄邽邽 郅訄迡邽邾邽 訄邽 郈郋迣郋赲郋邽 郋訇 邽郱邾迮郇迮郇邽 邾郅郋赲 邽 迮郇郇郋迮邿, 迮迮郱 郕郋郋迮 郈郋郋迡邽 迮郅郋赲迮迮赲郋 郇訄 郋赲迮邾迮郇郇郋邾 訄郈迮. 郇訄迮 赲迮邾 迮郅郋赲迮迮郕郋迮 郋訇迮赲郋 訄郇郋邾邽 赲 邽郇郋迮 迮郅郋赲迮迮郕郋迮 郋訇迮赲郋 邽 迡訄迠迮 訄郕邽迮 訇訄郱郋赲迮 邽郇邽, 郕訄郕 迣郋迡訄赲訄 邽 郕郋郇迮邽邽, 郈迮迮訄 赲郈郋郅郇 赲郋邽 郇郕邽邽. 赲郋邾 迮邾郅迮郇邽邽 郋郋郱郇訄, 郋 迠迮 郈郋邽郋迡邽 赲 邾邽迮 邽 郱訄迡訄 訇郋郅迮迮 郕邽邿, 郇邿, 赲迮郕郋 訄郱赲邽邽, 郅訄迡邽邾邽 郋 赲郋邽邾邽 郋訄郇邽郕訄邾邽 郕訄迠迡邿 迣郋迡 迠迮 12-郅迮 郇訄 迠郇郋邾 訇迮迮迣 郕-郅 郈郋赲郋迡邽 迮邽赲訄郅 竄郅訄郇迮訄郇郋迮 郕郋罈. 郅訄赲郇訄 郱訄迡訄訄 迮邽赲訄郅 郋郱迡訄郇邽迮 邾迮迠郕郅郇郋迣郋 郈迮迮郕郕訄, 邽 訄迡邽邽郋郇郇郋迮 迠邽郅邽迮 郕郋迮赲郇邽郕郋赲 訄 邽迣訄迮 赲 郋邾 郋郋訇迮郇郇 郋郅: 訄 郋 邽邾赲郋郅 赲迮邽 竄郕郋迮赲郇邽郕郋赲罈, 邽迡邽 訄郱郇邾邽 迡郋郋迣訄邾邽 迮郅郋赲迮迮郕郋邿 迡訇, 郋 郕迣 迡郱迮邿, 邽 郋 郈郋郋訇 迠邽 訇迮郱 迣郅郋赲.

10 訄郈迮郅, 2012

. 訄郅迮邽邿 苭訄迡邽郇

觓郱郕郋赲郋迮 邾郇郋迣郋郋訇訄郱邽迮 郅邽 赲 苤迮赲迮郋-郱訄郈訄迡郇郋邾 邽訄迮

迮郱迮郇訄邽 郋郇郋赲訄郇訄 郇訄 迮郱郅訄訄 郈郋迮郱迡郕邽 赲 迣郋-郱訄郈訄迡郇邿 邽訄邿 邽 郇訄訇郅迡迮郇邽 郱郕郋赲郋邿 邽訄邽邽 赲 郋邾 迮迣邽郋郇迮. 訄訇郅迡迮郇邽 郈郋赲郋迡邽郅邽 赲 郋郇郋赲郇郋邾 赲 迣郋郋迡郕郋邿 迮迡迮 郈郋赲邽郇邽邽 苤邽郇郱郇 (苺邾邽, 訄迣訄, 苠訄郇, 邽 苠訄迮郇迣) 邽 訄邽郇郋 赲 郋郈迮迡迮郅郇郋邿 郇迮邿 郈郋赲邽郇邽邽 訄郇 (郇訄郇 邽 郇). 訄訇郅迡迮郇邽 赲赲邽郅邽 郇訄郅邽邽迮 郱郕郋赲郋迣郋 邾郇郋迣郋郋訇訄郱邽 赲 郇郋邿 邽 郈邽邾迮郇郇郋邿 迮邽 郇訄 郅邽訄 迮迣邽郋郇訄. 迮郱迮郇訄邽 郋赲迮邽 訄訄郕迮, 迮, 邽 迮郇迡迮郇邽邽 郇郕邽郋郇邽郋赲訄郇邽 訄郱郇郋郱郇郋邿 迮邽.

April 4, 2012

Pr. Mathis Pelkmans

Towards an Anthropology of Doubt

Mathis Pelkmans, anthropologist from the London School of Economics, will present his new book: Ethnographies of Doubt: Faith and Uncertainty in Contemporary Societies

Religious and secular convictions have powerful effects, but their foundations are often surprisingly fragile. New converts often come across as stringent believers precisely because they need to dispel their own lingering doubts, while revolutionary movements survive only through the denial of ambiguity. In this talk, which draws on my recent publication Ethnographies of Doubt: Faith and Uncertainty in Contemporary Societies, I argue that a focus on uncertainty and doubt is indispensable for grasping the role of ideas in social action. By studying everyday doubt, I aim to unravel the mechanisms by which convictions gain and lose their force, and to analyse the dynamics that propel loosely held ideas into committed action. Drawing on a range of cases from Georgia, Kyrgyzstan, and the UK, I will analyse the ways in which doubt is overcome and, conversely, how belief systems collapse. In doing so, I intend to provide insight into the cycles of faith, hope, conviction and disillusion that are intrinsic to the human condition.

3 訄郈迮郅, 2013

衪邾邽郅 訄邽迡邽郇郋赲 邽 郱訄 苤郅訄郇訄郅邽迮赲訄

邽迣訄郇 赲 迣郋郋迡迮 邽郅邽 迣郋郋迡訄 邾邽迣訄郇郋赲: 苳郋郇迮 虷迮郇訄郅郇郋-郱邽訄郕郋邿 邾邽迣訄邽邽 赲 郋邽邽

訄郇郇郋迮 邽郅迮迡郋赲訄郇邽迮 迡迮-郕郋郇邽迮 迮邾邽郇 虷迮郇訄郅郇郋-郱邽訄郕邽迮 邾邽迣訄郇 赲 郋邽邽. 郋-郈迮赲, 迮迣邽郋郇 虷 郋迮郇 訄郱郇郋郋訇訄郱迮郇 邽 郋郈 邾邽迣訄郇訄 邽郱 苭郋迡迠迮郇訄 邽郅郇郋 郋郅邽訄迮 郋 郋郈訄 邾邽迣訄郇訄 邽郱 苤訄邾訄郕訄郇迡訄 邽郅邽 邽郱 苠郋郕郋迣郅訄. 郋-赲郋, 郋邽 訄邾訄 訇郋郅訄 郈郋 迮邽郋邽邽 訄郇訄 赲 邾邽迮 邽 迠邽郱郇 邾邽迣訄郇郋赲 郇訄 苤訄訄郅邽郇迮 邽郅郇郋 郋郅邽訄迮 郋 迠邽郱郇邽 邾邽迣訄郇郋赲 赲 郋郕赲迮. 赲郋迮邿 訄訇郋迮 邾 訄赲郇邽赲訄郅邽 郋, 郕訄郕 邾邽迣訄郇 邽郱 訄郱郅邽郇 迮迣邽郋郇郋赲 虷迮郇訄郅郇郋邿 郱邽邽 郋赲訄邽赲訄 郋邽邿郕邽迮 郋郇迮 赲 迡赲 郱郇訄邽迮郅郇郋 郋郅邽訄邽 迡迣 郋 迡迣訄 迣郋郋迡訄 郋邽邽: 訄郱訄郇 邽 苤訄郇郕-迮迮訇迣. 郅迮迡郋赲訄郇邽迮 郈郋赲郋迡邽郅郋 赲 郕郋邾訄郇迡迮 郋 迡迮郇訄邾邽 訄郕郅迮訄 訄郇郋郈郋郅郋迣邽邽 苺虷 郅迮郋邾 2012迣. 郋赲邽郱郇郋邿 邽郅迮迡郋赲訄郇邽 赲郅迮 邽郈郋郅郱郋赲訄郇邽迮 迮郇郋郅郋迣邽邿 苤 (迮郋迣訄邽迮郕邽迮 郇郋邾訄邽郋郇郇迮 苤邽迮邾) 迡郅 迣訄邽迮郕郋迣郋 訄郇訄郅邽郱訄 訄邿郋郇郋赲 郈郋迠邽赲訄郇邽, 訄訇郋 邽 郋迡訄, 訄 訄郕迠迮 邾訄郋赲 郈迮迮迡赲邽迠迮郇邽 邾邽迣訄郇郋赲 邽 迣郋郋迡郕邽 迠邽迮郅迮邿. 苠訄郕迠迮 邾迮郋迡邽郕訄 赲郕郅邽郅訄 訄郇訄郅邽郱 郕郋迣郇邽邽赲郇 郕訄 郋迣郋 郕訄郕 邾邽迣訄郇 邽 邾迮郇迮 迠邽迮郅邽 郱郇訄 邽 赲郋郈邽郇邽邾訄 迣郋郋迡 邽 迡迣 迡迣訄.

27 邾訄訄, 2013

. 郕訄訄邾 苠郋郕郋迣郅郋赲訄

赲邽迠迮郇邽迮 苠訄訇郅邽迣 訄邾訄訄 赲 郕郋郇迮郕迮 迮邽郅訄邾邽郱訄邽邽 赲 迣郱訄郇迮: 迮郇迮 郈訄郕邽郕邽 邽 迡邽郕

郋郅迮 訄郱赲訄郅訄 苤郋赲迮郕郋迣郋 苤郋郱訄 迮邽郅訄邾邽郱訄邽 赲 迣郱訄郇迮 郇訄訄郅訄 赲郋郱郋迠迡迮郇邽 迡郋郋赲迮郕邽 邽郅訄邾郕邽 訄迡邽邽邿 邽 郈郋赲郅迮郇邽 郇郋赲 郈訄郕邽郕 郈邽迮迡邽 訄郇郇訄邽郋郇訄郅郇邾邽 邽郅訄邾郕邽邾邽 迮郇邽邾邽. 苠訄訇郅邽迣 訄邾訄訄 訇郅 郋迡郇邽邾 邽郱 訄郕邽 訄郇郇訄邽郋郇訄郅郇 迡赲邽迠迮郇邽邿, 郈訄邽 赲郋郱郋迡邽 邽郅訄邾 迮迮郱 郈訄郕邽郕 訄赲訄訄 (郈邽郱赲訄). 訄赲郇邽迮郅郇郋 郕郋郋郕郋迮 赲迮邾 訄赲訄 赲 迣郱訄郇迮 郋訇郅 郈郋郈郅郇郋 迮迡邽 郇訄迮郅迮郇邽, 邽 邾郇郋迣邽迮 邾郅邾訄郇迮 迣郱訄郇訄 赲郋赲郅迮郕郅邽 赲 邾迮郇迮 邽 訄郇郇訄邽郋郇訄郅郇迮 赲郱邽 苠訄訇郅邽迣 訄邾訄訄訄.

郇訄迮邾 邽郅迮迡郋赲訄郇邽邽 邾 郋郕邽郋赲訄郅邽 郇訄 迮邾訄: 1) 郅郋郕訄郅邽郱訄邽 郈訄郕邽郕 苠訄訇郅邽迣 訄邾訄訄訄 赲 迣郱訄郇迮, 2) 郋郅 迠迮郇邽郇 赲 郈郋郈郋赲迮迡郋赲訄郇邽邽 郅訄邾訄, 3) 訄郱郇郋郋訇訄郱邽迮 邽郅訄邾郕邽 郈訄郕邽郕 赲 迣郱訄郇迮 邽 郋郇郋迮郇邽 迮迡邽 訄郱郅邽郇 迣郈郈.

郅迮迡郋赲訄郇邽迮 郈郋赲郋迡邽郅郋 赲 迣郱訄郇迮 (-訄, 郱迣郋, 訄訄-郋郅, 虴郋郅郈郋郇-訄, 苭郋, 訄郅郕, 訄郅郕, 苤郱訄郕, , 訄訄-苤 邽 邽郕迮郕) 邽 郇訄 郋迡邽郇迮 苠訄訇郅邽迣 訄邾訄訄訄 赲 郇迡邽邽. 郅郅迮迡郋赲訄郇邽迮 郈郋赲郋迡邽郅郋 郕訄訄邾 苠郋郕郋迣郅郋赲郋邿 郋赲邾迮郇郋 郅訄郇郋邾 訄邽邾郋赲邾 (郇郋郈郋郅郋迣邽, 苺虷).

20 邾訄訄, 2013

訄邾訇泭迠訇訄郅邽迮赲訄 邽泭郅郱訄迡訄 訇迡訄郅邽迮赲訄

迣郱 赲 邽訄迮: 郋邽, 苳邽郅郋郋邽 邽 苠訄迡邽邽邽

郈郈訄 邾郋郅郋迡 邽郅迮迡郋赲訄迮郅迮邿 邽郱 CASI 郈郋訇赲訄郅訄 郈郋郅郋邾 迣郋迡 赲 邽訄迮, 赲 郋郇郋赲郇 邾迮訄 郈郋迠邽赲訄郇邽 郕迣郱郋赲 - 郱郅, 苠訄訇訄迣訄訄迮 (苤苺) 邽 苳 (郈. 苭迮邿郅郇郱郇). 虴郅迮郇 郇訄郇郋邿 郕郈迮迡邽邽邽 .迠訇訄郅邽迮赲訄(苺虷) 邽 .訇迡訄郅邽迮赲訄 (苺郇- 訄訇訄迮赲訄) 郈郋郱郇訄郕郋邾 赲訄 邾訄郋邾 郕郈迮迡邽邽邽, 訄郕訄迠 郋 迮郱郅訄訄 邽郅迮迡郋赲訄郇邽邿 邽 郈迮迡訄赲 郇迮訇郋郅郋邿 邽郅邾 郋 郕迣郱訄 邽訄.

13 邾訄訄, 2012

訄郅邽郇訄 苤郋郕郋郅郋赲訄, 邿郕訄郇 迮迮郇訇訄迮赲訄 邽 苠迮邾邽 訄迡郋赲

郋郅邽邽郱邽迮邾 8 訄a: 訄郕訄郅郇郋 迮邾邽郇邽郕郋迣郋 訄郕邽赲邽郱邾訄 赲 迣郱訄郇迮

訄郅邽郇訄 苤郋郕郋郅郋赲訄, 邿郕訄郇 迮迮郇訇訄迮赲訄 邽 苠迮邾邽 訄迡郋赲, 郋-郋郇郋赲訄迮郅邽 邽郕迮郕郕郋邿 苳迮邾邽郇邽邽迮郕郋邿 郇邽邽邽赲 苤.
苳迮邾邽郇邽郱邾郋赲 邾郇郋迣郋, 郇郋 迮郅 郇邽 郋迡郇訄 - 邽郕郋迮郇迮郇邽迮 迣郇迮迮郇邽, 郇訄邽郅邽 邽 郇迮郇訄赲邽邽 郕訄郕 郕郅郇郋迣郋/邽迮邾郇郋迣郋/郈郋郅邽邽迮郕郋迣郋 - 迣迡迮 郈郋迮 迮邾邽郇邽郕郋迣郋 訄郕邽赲邽郱邾訄 郋迡邽郇訄郕郋赲郋 赲訄迠迮郇, 郕訄郕 邽 迡郋邽迣郇訄 迮郅. 訄郕郋迮 郇訄郅迮迡邽迮, 赲郱郋赲 邽 赲郋郱邾郋迠郇郋邽 迮赲 迡郅 赲郋郱郇邽郕郇郋赲迮郇邽 迮邾邽郇邽郕郋迣郋 迡赲邽迠迮郇邽 赲 迣郱訄郇迮? 郕邽赲邽 苤 郈郋迡迮郅 邽郋邽迮邿 郋 郈迮迡郈郋郅郕訄 邽 c郋郱迡訄郇邽邽 邽郇邽邽訄邽赲, 赲郋邽邾邽 郈訄郕邽郕訄邾邽 邽 郈郋迡郋迡訄邾邽. 赲迮 郇訄 訄郋郱訄迡訄赲訄迮邾迮 赲郋郈郋: 郈郋迮邾 赲 邽郕迮郕迮, 訄 郇迮 赲 迮迣邽郋郇訄; 郈郋迮邾 迮邾邽郇邽郱邾, 訄 郇迮 郈訄赲郋郱訄邽郇訄 迡迮迮郅郇郋; 郱訄迮邾 迮邾邽郇邽郱邾 迣郱訄郇?

郇迮郇 邽訄邽 赲 郇訄迮邾 郋訇迮赲迮 郕訄邿郇迮 郇迮訄訇邽郅郇訄; 郋郇訄 郅郋迠邽郅訄 邽 迡訄迮 郕訄郕 赲 邽郅 郅郋郕訄郅郇 郈迮迡訄迡郕郋赲 邽 郕訄郅郇郋迣郋 郇訄邽郅邽, 訄郕 邽 迮迣邽郋郇訄郅郇 邽 迣郅郋訇訄郅郇 迮郇迡迮郇邽邿 邽迮邾郇郋迣郋 迣郇迮迮郇邽 邽 赲郱郋赲郋赲 郈訄邽訄訄訄, 郇迮郋郅邽訇迮訄郅邽郱邾訄 邽 郕郅郇郋邿 迣郋邾郋迣迮郇邽郱訄邽邽. 訄郕 邽 郈郋迮 赲郅邽 郅邽郇郋 郇訄 郇訄 郕訄郕 迠邽迮郅迮邿 邽郕迮郕迮, 邽 郕訄郕 邾 邽 赲郋郈郋邽郱赲郋迡邽邾 邽 邽郅邽赲訄迮邾 迮迮郱 郕訄迠迡郋迡郇迮赲郇迮 郈訄郕邽郕邽? 訄迮邾 郈郋郅邽邽郱邽郋赲訄 郅邽郇 郈郋郱邽邽? 郋郱邾郋迠郇郋 郅邽 郋郈郋邽赲郅迮郇邽迮 邽邾 郈郋迮訄邾 邽 郕訄郕 迮迣郋 郈訄郕邽郕郋赲訄 迮迮郱 郋郅邽迡訄郇郋, 邾訄郇邽郈訄邽 邽 郇迮郇訄邽郅邽迮? 訄郕 郇訄 郋 赲郅邽 邽郇邽 邽 郈訄郕邽郕邽 郋訇訄郱郋赲訄郇邽 邽 (郇迮)赲郋赲郅迮迮郇郇郋 迡迮郇郋赲?

27 迮赲訄郅, 2013

郅郇邿 邽郅迮迡郋赲訄迮郅郕邽邿 迮郇 邿迣邽郇迮

苤赲訄 迣迮郋迣訄邽 迣郱訄郇訄

迮郱迮郇訄邽 郈迮迡訄赲郅迮 郋訇郋邿 訄郕訄郱 郋 赲郋郱郇邽郕郇郋赲迮郇邽邽 邽郅迮迡郋赲訄迮郅郕郋邿 邽迡迮邽 郈郋 赲邾 邾迮訄邾, 郋迣訄郇邽郱訄邽邽 邾訄訄訇郇 郈郋郅迮赲 訄訇郋 郋 迡迮郇訄邾邽 迮迣邽郋郇訄郅郇 赲郱郋赲 邽 邾迮郇邾邽 迠邽迮郅邾邽, 訄 訄郕 迠迮 郈迮赲邽郇邿 訄郇訄郅邽郱 迮郱郅訄郋赲 郈郋郅迮赲 訄訇郋, 郈郋赲迮迡迮郇郇 郕郅郇郋-邽郅迮迡郋赲訄迮郅郕邽邾 迮郇郋邾 邿迣邽郇迮 赲 郈邽 郋訇郅訄 訄郇.

20 迮赲訄郅, 2013

迮郋迣邽邿 訄邾迮迡郋赲, 迠郋邽郕 郱訄邾迮郋赲 邽 苤訄邾訄 訄邾訇迮訄迮赲

苤郋邽訄郅郇郋迮 邽郕赲郋. 竄訄迮郕訄 郕邽邽迮郕郋邿 訄郇邽邾訄邽邽罈 邽 迡迣邽迮 郈郋迮郕 虼苠.

訇迡迮郇郇郋迮 郋郱郇訄郇邽迮 迠迡迮 郋 邽郕赲訄 郕訄郋 邽 訄郱赲郅迮迮郇邽, 郇郋 邽郕赲訄 迮迣郋迡郇 郋 邾郇郋迣郋郋訇訄郱郇訄 邽 郅郋迠郇訄 迡邽邽郈郅邽郇訄, 邽邾迮訄 郋郇郋迮郇邽迮 郕 郕邽邽迮郕郋邿, 邽郅迮迡郋赲訄迮郅郕郋邿 邽 郈郋郅邽邽迮郕郋邿 迡迮迮郅郇郋邽. 苤郋邽訄郅郇郋迮 邽郕赲郋 赲邽迡邽 赲郋迮邿 迮郅 訄邽迮 赲 訄郕邽赲郇郋邿 訄訇郋迮 郈郋 郈迮郋訇訄郱郋赲訄郇邽 郋郕迠訄迮邿 迡迮邿赲邽迮郅郇郋邽, 郈郋 郈郋邽郱赲郋迡赲 迮訄郅郇郋迣郋 郋邽訄郅郇郋迣郋 邽郱邾迮郇迮郇邽. 訄郕 迮迡赲訄 邽郕赲訄 邾郋迣 訇 赲郕郅迮郇 赲 訄郕邽赲邽郕 邽 郈郋郅邽邽迮郕 訄訇郋? 虴迮邾 郋邽訄郅郇郋迮 邽郕赲郋 郋郅邽訄迮 郋 郕迮訄邽赲郇郋迣郋 訄郕邽赲邽郱邾訄, 赲郋迡迮 郅迮邾郋訇郋赲? 訄 郈邽邾迮訄 赲郋迮邿 郋訇赲迮郇郇郋邿 訄訇郋 郈迮迡訄赲邽迮郅邽 虼苠 郈郋郈訄 郋赲迮邽 郇訄 邽 邽 迡迣邽迮 赲郋郈郋, 赲郱訄郇郇迮 郋赲迮邾迮郇郇邾 郈郋郅邽邽迮郕邽邾 邽 郋邽訄郅郇郋 郋邽迮郇邽郋赲訄郇郇邾 邽郕赲郋邾.

迮郋迣邽邿 訄邾迮迡郋赲, 迡郋迠迮赲迮郇郇邿 郕郋赲郋迡邽迮郅 虼苠, 迠郋邽郕 郱訄邾迮郋赲 邽 苤訄邾訄 訄邾訇迮訄迮赲, 訄郇邽郕邽

13 迮赲訄郅, 2013

訄邿邾 苳邽郅邽郈郈

"衪郕郈迮" 邽 "郕郈迮郇郋迮 郱郇訄郇邽迮" 郋郈 郇訄 郈郋郋迣迮 邾迮迠迡 郇訄郕郋邿 邽 訄訇郋郋邿 邾迮迠迡郇訄迡郇 郋迣訄郇邽郱訄邽邿



迮迠迡郇訄郋迡郇郋迮 郋迡郇邽迮赲郋 郕 訇郋郅迮邿 訄邽 郋郈邽訄迮 郇訄 郕郈迮郋赲, 郕訄郕 邾迮迠迡郇訄郋迡郇, 訄郕 邽 邾迮郇. 迮邾郋 郇訄 郋, 郋 郕郈迮 訄迮 赲迮迣郋 迮郕邽 邽郱 郇訄郇郋邿 迮迡, 郕郈迮郇郋迮 郋郋訇迮赲郋 郋 赲郋邽邾邽 郋邾訄邾邽 郱郇訄郇邽 邽 郇郋邾訄邾邽 郕郋邾邾郇邽郕訄邽邽, 迣迡迮 郇訄郇郋-邽郅迮迡郋赲訄迮郅郕邽邿 郈郋迮 郱訄邾迮郇迮 郋訄赲郅迮郇邽迮邾 邽 郈迮迡郋訄赲郅迮郇邽迮邾 郕郈迮邽郱 郈訄郕邽迮郕邽-郈邽郕郅訄迡郇郋邿 迮郅. 郋郕郅訄迡 郈郋赲迮郇 邽邾 赲郋郈郋訄邾 郇郋邽 郕郈迮郇郋迣郋 郱郇訄郇邽, 郇郋邾訄邾 邽 郋迠邽迡訄郇邽邾 郕郋邾邾郇邽郕訄邽邽, 郈郋迮訄邾 訄郇郋赲郅迮郇邽 郕郈迮郋赲, 郕郋郇郅邽郕訄邾, 赲郋郱郇邽郕訄邽邾 邽郱 郇迮邽郱訇迮迠郇郋迣郋 郈郋郅邽邽郱邽郋赲訄郇邽 郱郇訄郇邽邿, 邽 郋迠邽迡訄郇邽邾 邾迮迠迡郇訄郋迡郇 郋迣訄郇邽郱訄邽邿 郕 邾郋郅郋迡邾 郈迮邽訄郅邽訄邾, 訄郇郋赲邽邾邽 郅迮迡邽邾 郈郋郕郋郅迮郇邽迮邾 郕郈迮郋赲.

訄邿邾 苳邽郅邽郈郈, 邽郋邽郕-赲郋郋郕郋赲迮迡, 邽郅 赲 迮邾訄郇邽邽 (郇邽赲. 郋郇郇 邽 苭訄郅郅迮) 邽 赲 苠訄郕迮郇迮, 郱訄郕郋郇邽郅 邾訄迣邽訄 迡邽迮訄邽迮邿 郈郋 訄迡迠邽郕郋邿 郈迮迮 赲 訄郕郋邾 邾邽訄迮, 郱訄迮邾 郈郋郅邽郅 PhD 訄訇郋郋邿 郈郋 迮邾迮 邾郅邾訄郇郕郋迣郋 郱迮邾迮郅郇郋迣郋 邽 赲訄郕郇郋迣郋 郈訄赲訄 邽 邾訄郋赲郋邿 郋訇訄訇郋郕邽 迮郇訄郅郇郋訄郱邽訄郕邽 邽郋邽迮郕邽 迡郋郕邾迮郇郋赲XIII-XX赲赲. 郈郋郋訇郋邾 邽郇郋邾訄邽郱訄邽邽. 訄 迡訄郇郇邿 邾郋邾迮郇 訄訇郋訄迮 郕郈迮郋邾 赲 迮邾訄郇郕郋邾 郋訇迮赲迮 郈郋 邾迮迠迡郇訄郋迡郇郋邾 郋迡郇邽迮赲 (GIZ, 訇赲邽邿 GTZ) 郇訄 迡郋郅迠郇郋邽 郕郋赲郋迡邽迮郅 郈郋迮郕訄 郈郋 郋迡郇邽迮赲 迣訄迠迡訄郇郕邽邾 郋訇迮赲郋邾, 邽 郈訄訄郅郅迮郅郇郋 郱訄郇邽邾訄迮 赲郋郈郋訄邾邽 訄郇郋郈郋郅郋迣邽邽 邽 邽郋邽邽 虷迮郇訄郅郇郋邿 郱邽邽.

6 迮赲訄郅, 2013

郅邾訄郱 郋郅迡郋迮赲

郋邾訇邽郅 迠邽郱郇 郱訄 訇訄訄郇郕郋邿 邽郅邽 赲郱迣郅迡 郇訄 邽郕迮郕 邽郱 郋郕郇訄 訄郕邽

郅邾訄郱 訇邽迣訄迡邽 郕郋邾訄郇迡 訄郕邽郋赲 邾郇郋迣郋郅迮郇邽邾 郋郈郋邾. 郇 邽 迮迣郋 迡郱 郕訄郕 郇邽郕郋 郅迮 郱郇訄郕郋邾 郋 赲迮邾邽 迡郇郋邾邽 邽 郋郋訇迮郇郇郋邾邽 郈郋迮邽邽 訄郕邽訄 赲 郇訄迮邿 郋郅邽迮. 郇邽 郅迮 赲迮 郱郇訄 迣郋郋迡, 邽 郋郇邽 郅迮 赲迮 訄郱訇邽訄 赲 迣郱郕郋邿 郈郋郅邽邽郕迮. 郇邽 郋郅邽郇迮 郋訇迮迮迡郇邽郕邽, 邽 邾郇郋迣邽 郱訄 郈訄郱郋邿 郋郇邽 邽郇迮迮郇 邽郋邽邿. 郇邽 郈迮郕訄郇迮 郈邽郋郅郋迣邽 邽 邾 迣郋郋赲 郈郋迡迮郅邽 郇邽邾邽 赲郋邽邾邽 訄邾邾邽 郋郕郋赲迮郇郇迮 郈迮迮迠邽赲訄郇邽邾邽. 訇赲訄迮邾 郋迮郇 訇郅訄迣郋迡訄郇 邽邾, 郕郋迣迡訄 郋郇邽 郈訄訄 郇訄 赲 迡郇迮 邾郋邾迮郇, 邽 邾 迣郋郋赲 邽 訄迮郱訄, 郕郋迣迡訄 郈邽郋迡邽 迮郅邿 訄 迠迡訄 赲郱赲訄郇郇郋邿 邾訄邽郇. 郈邽迣郅訄訄迮邾 赲迮 郇訄 郋郕郋赲迮郇郇 訇迮迮迡. 郅邾訄郱 邽 迮迣郋 郕郋郅郅迮迣邽 郈郋迡迮郅 赲郋邽邾 郋郈郋邾, 訄郕訄迠 郱訄郇邽邾訄迮郅郇迮 邽郋邽邽 邽 郋赲迮 郇訄 訄邽 赲郋郈郋.

30 郇赲訄, 2013

郋郅郋訇迮郕 虼訄邾邽迮赲

迠邽迡訄迮 郅邽 郇郋赲訄 虴苺 郕迣郱郕郋迣郋 郕邽郇郋?

郋郕訇迮 2012 迣. 赲 邽郕迮郕迮 郈郋郅訄 郈迮郱迮郇訄邽 DVD 郕郋郅郅迮郕邽邽 邽郱 10 邽郅邾郋赲, 郕郋郋迮 70 郅迮 郇訄郱訄迡 郈郋郕郋邽郅邽 郋赲迮郕郋迣郋 邽 邽郇郋訄郇郇郋迣郋 郱邽迮郅, 邽 赲迮 郱訄迣郋赲郋邽郅邽 郋 郕迣郱郕郋邾 郕邽郇迮邾訄郋迣訄迮 郕訄郕 郋 迡迮. 郕郋郅郅迮郕邽邽 迡郋郋邿郇郋迮 邾迮郋 郱訄郇郅邽 邽郅邾 邾迮訄 郕迣郱郕郋迣郋 郕邽郇郋 郋郅郋訇迮郕訄 苠郋郅迮郇郋赲邽訄 虼訄邾邽迮赲訄. 訄郋迡郇邿 訄邽 邽迣邽郱邽邽 (1975); 訄郋迡郇邿 訄邽 苤苤苤 (1991), 郋訇郅訄迡訄迮郅 郈迮邽迠郇 迮郈訇郅邽郕訄郇郕邽 邽 邾迮迠迡郇訄郋迡郇 郈邽郱郋赲 邽 郇訄迣訄迡 郇訄訄郅 赲郋 迮迠邽迮郕 迡迮迮郅郇郋 赲 1959 迣., 郋訇訄 赲郋 迮 赲 邾訄迮郕郋邿 郈郋迮郋訄 郅迮郕訄郇迡訄 迣邽迡邽. 迡邽 迡迮郇郋邾, 郋郇 郈迮郇郋 郇郅 赲 郋郅邽 邾郋郅郋迡郋迣郋 訄郕郋邽訄 赲 邽郅邾迮 訄邽 虼迮郈邽郕郋 郇郋邿, 訄 赲 1965 迣郋迡 迮迣郋 迡邽郈郅郋邾郇訄 訄訇郋訄 郇訄郇郋郈郋郈郅郇邿 邽郅邾 訄郇訄邽 訇郅訄 迡郋郋迮郇訄 訄郇郈邽 郇訄 迮迠迡郇訄郋迡郇郋邾 郕邽郇郋迮邽赲訄郅迮 赲 郇迮邾迮郕郋邾 迣郋郋迡迮 訇迮訄郱迮郇迮.

苤 迮 郈郋 訇郅郋 郇郋 邽 郇訄郈邽訄郇郋 迡迮郕邽 邽郅邾郋赲 邽 迮郇訄邽迮赲. 迣郋 迡郋郕邾迮郇訄郅郇邿 邽郅邾 竄虴訄訇訄郇罈 (1966), 訄 訄郕迠迮 迡郋迠迮赲迮郇郇迮 郕邽郇郋郅迮郇 竄迮郅 郇訄 郈迮迮赲訄郅迮 訄訄罈 (1969), 竄郅迮 邾訄郕邽 郕-郅罈 (1972), 竄衪郋 郅訇赲邽罈 (1974), 竄迮郅邿 郈訄郋郋迡罈 (1976), 竄苤迮迡邽 郅迡迮邿罈 (1978), 竄訄郇郇邽迮 迠訄赲郅邽罈 (1979), 竄郋郅 邾訄罈 (1984), 竄苤郇訄邿郈迮罈 (1985), 竄郋郋迠迡迮郇邽迮 郇訄 苳迡郱邽邾罈 (1988) - 郈郋邽邽郇迮 郇迮郱訄訇赲訄迮邾迮 郋郕邽 迠邽郱郇邽. 迮 郋迡郇郋 郈郋郕郋郅迮郇邽迮 郱邽迮郅迮邿 邽郅郋 郈郋 郇邽邾 邾迠迮赲 邽 郈迮迡訄郇郇郋邽, 迮郇郋邽 邽 郈訄赲迮迡郅邽赲郋邽, 郅訇赲邽 邽 迮郈迮郇邽.

, 郈郋迮邾 迮迣郋迡郇, 邽邾迮 訄郕邽 邾訄邽 郈郋迮邽郋郇訄郅郋赲, 迡郋 赲 郕迣郱郕郋邾 郕邽郇郋 迡郋 邽 郈郋 迡迮邾郅迮? 虴郋 邾迮訄迮 迮邾 郈郋郇 邽 訇迡邽 郋訇迮赲郋, 迡迮郅訄 迮迣郋 迡郋赲郇郋 邽 邾訄迮邽訄郅郇郋 郋郱邽迡訄迮郅郇邾 邽 郈迮郈迮郕邽赲郇邾? 虴郋訇 邾郋郅郋迡郋迮 郕迣郱訄郇郕郋迮 郈郋郕郅迮郇邽迮 郋迮郅郋 迠邽 邽 迡邽 邽邾迮郇郇郋 赲 赲郋迮邿 訄郇迮, 邽 迮邾邽郅郋 迡迮郅訄 赲郋 郋迡邽郇 邽郅郇迮迮 邽 訇郋迣訄迮.

衪邽 邽 迡迣邽迮 赲郋郈郋 訇迡 郋訇迠迡迮郇 迣郋迮邾 訄郇郋郈郋郅郋迣邽迮郕郋迣郋 郕郅訇訄 苠 苠虴 虼虼衎.

16 郇赲訄

邽 苠迮邾邽郋赲訄 邽 訄邾訄郕郅 邿迡訄訄郅邽迮赲

郕郅迮郇邽迮-赲郕郅迮郇邽迮: 邽郕迮郕郕邽迮 郇郋赲郋郋邿郕邽, 赲郇迮郇郇邽迮 邾邽迣訄郇 邽 迣郈郈 訄邾郋郈郋邾郋邽

邽 苠迮邾邽郋赲訄 邽 訄邾訄郕郅 邿迡訄訄郅邽迮赲, 竄罈 訄郕訄迠 郋 赲郋迮邿 訄訇郋迮 迠邽迮郅邾邽 郇郋赲郋郋迮郕 迣郋郋迡訄 邽郕迮郕. 苺迠迮 郇訄 郈郋迠迮郇邽邽 郇迮郕郋郅郕邽 郅迮 郋迣訄郇邽郱訄邽 訄郕邽赲郇郋 郈郋迡郕郅訄迮 郕 迠邽郱郇邽 郇郋赲郋郋迮郕, 郈郋邾郋迣訄 郇訄迮郅迮郇邽 郋郱迡訄赲訄 邽 訄郱赲邽赲訄 迣郈郈 訄邾郋郈郋邾郋邽, 赲 郕郋郋 迠邽迮郅邽 邾郋訇邽郅邽郱 迡郅 迮迮郇邽 赲郋邽 郇訄郇 郈郋訇郅迮邾. 郈訄邽迮 訄郕訄迠 郋 迣郋郋迡郕郋邿 郈訄郕邽郕迮 竄邽郕郅迮郇邽罈 赲郇迮郇郇邽 邾邽迣訄郇郋赲, 赲 訄郇郋邽 赲 訄郈迮郕訄 迡郋郈訄 郕 訇訄郱郋赲邾 郅迣訄邾 (邾迮迡邽邽郇訄, 郋訇訄郱郋赲訄郇邽迮, 郋郋訇迮郈迮迮郇邽迮) 邽 郋 赲郋邾 郋郈迮 赲 訄迮迣邽 竄赲郕郅迮郇邽罈.

January 9, 2013

Masha Vlasova

The Mothers

We are happy to invite to the first session of a new season with the Anthropology Club. The season will be opened by Masha Vlasova a Russian born artist who lives and works in New York City. For the presentation at Anthropology class, she will be showing her film "The Mothers" 2011-12. "The Mothers" is a film essay. The author forms a fragmented narrative in which historic, literary, cultural and personal narratives develop around a single image - a family photograph taken in 1989. This year signified great political shifts in Eastern Europe. Through archival footage, voiceover narration and interviews, she examines the split of the Berlin wall and the splintered histories of underground publishing samizdat, perestroika and the coup of 1991 as well as my personal spilt of immigration."

Film is made in English. After the film Masha can answer your questions both in English and in Russian.

Bio: Masha Vlasova studied experimental video and photography at The Cooper Union, earning her BFA in Fall 2012, and was awarded the Robert Breer Film and Video Award. She is the recipient of a Fulbright grant to shoot a documentary film in Kyrgyzstan, which began in Oct. 12 and is currently a CASI fellow at AUCA. Her research is based in homecoming and homemaking in post-colonial Kyrgyz Republic. Maria Vlasova's photographs and videos have recently been exhibited in In Time at La MaMa La Galleria and Seconds at the Cooper Union. Her work will be shown in an upcoming group show at Leeds College of Art in the UK this spring.

12 December, 2012

12.12.12. - 苤邽邽 邽 邽訄!

End of the Year (...End of the World?!) Anthropology Party

邽迣郅訄訄迮邾 苤苭 郇訄 郱訄郕郅邽迮郅郇 赲 郋邾 迣郋迡 赲迮-赲迮迮邽郇郕 訄郇郋郈郋郅郋迣邽迮郕郋迣郋 郕郅訇訄泭

郈郋迣訄邾邾迮:
邽訄郇訄 jam session: 郅訄郇 訄邽邾郋赲, 訄訄 訄郅邽郇迮郇郕郋, 迮郇邽邿 邽訄迮赲 邽 郅迮郕迮邿 郇
苤邽邽: 虴郋郅郈郋郇 苠迡訄郅邽迮赲訄 邽 邽迡訄 訇迡郕訄郇郋赲訄
郅邽 郕郋-郋 郋迮 郈邽郋迮迡邽郇邽 郋 赲郋邽邾 郇郋邾迮郋邾/邽訄邾邽 - you are welcome!
訄 訄郕迠迮 - 訄郕訄郱 郋 郕郋郇迮 赲迮訄: 訄訄 訄迮郇郕郋
邽 訄郇郋郈郋郅郋迣邽迮郕訄 赲邽郕郋邽郇訄 邽 郕郋郇郕 郋 郈迮邽訄郅郇邾邽 郈邽郱訄邾邽 迡郅 郈郋訇迮迡邽迮郅迮邿!

迡郅 赲迮 赲 郈郋迡訄郋郕 - 訄郇郋郈郋郅郋迣邽迮郕邽迮 郈郋迮 邽 郕訄郅迮郇迡訄邽, 郇 邽 郕郋郇迮郇郋 - 訇迮郱訄郅郕郋迣郋郅郇迮 郇訄郈邽郕邽 邽 郈邽訄!
迡迮邾 訄迡 赲迮邾 郇訄邽邾 迣郋邾!

5 迡迮郕訄訇, 2012

邾訄郇 迠邾訄訇訄迮赲

邽郕郅迮郇邽 迣郱訄 赲 苠訄訄郱迮: 郅訄邾, 邾邽迣訄邽 邽 訄郱訄郕邽邿 郇訄邽郋郇訄郅邽郱邾

邾訄郇 迠邾訄訇訄迮赲, 迡迮郇 3-迣郋 郕訄 訄郕郅迮訄 訄郇郋郈郋郅郋迣邽邽 郈郋迡迮郅邽 迮郱郅訄訄邾邽 赲郋迮迣郋 郈郋郅迮赲郋迣郋 邽郅迮迡郋赲訄郇邽 郈郋赲迮迡郇郇郋迣郋 邽邾 郅迮郋邾 赲 迣. 苠訄訄郱, 訄郱訄訄郇. 邾訄郇 郱訄郋郇迮 邽 赲郋郈郋訄, 郋訇迮迡邽郇郇郇 迮邾郋邿 郇郋赲郋邿 訄郱訄郕郋邿 邽迡迮郇邽郇郋邽. 郇 訄郕訄迠迮, 迮邾 迡邽 邾郅邾訄郇郕邽邿 邾邽 邽 郕訄郕 郋邾邽迮 迮郅邽迣邽郋郱郇訄 郈郋郅邽邽郕訄 迮迣邽郋郇訄 邽 郕訄郕 訄郱郅邽訄 迮郅邽迣邽郋郱郇迮 郈訄郕邽郕邽 郕訄郱訄郋赲, 迡郇迣訄郇 邽 郱訇迮郕郋赲, 郈郋迠邽赲訄邽 訄邾. 訄郅迮迮 邾訄郇 訄郕訄迠迮 郋 迣郱郕邽 迡郋赲 邾邽迣訄郇訄 赲 苠訄訄郱迮 邽 邽 赲郋赲郅迮迮郇邽邽 赲 迮郅邽迣邽郋郱郇 迡訄赲訄迮郕 訄迡邽邽. 邽 郇訄郕郋郇迮, 邾訄郇 郈郋迣郋赲郋邽 郋 郋邾, 郕訄郕 迮郅邽迣邽 邽 邾邽迣訄邽 郈迮迮迮郕訄 郕訄郱訄郕邽邾邽 郇訄邽郋郇訄郅邽邽迮郕邽邾邽 迡邽郕訄邾邽 邽 郈訄郕邽郕郋邿 郈迮迮邽邾迮郇郋赲訄郇邽 郅邽, 郱郕郋赲郋邿 郈郋郅邽邽郕邽, 郈迮迮郈邽赲訄郇邽 邽郋邽邽 邽 赲郋郱赲迮迡迮郇邽 郇郋赲 郈訄邾郇邽郕郋赲. 苠郋郇郕郋邿 郅邽郇邽迮邿 迮迮郱 赲 郈迮郱迮郇訄邽 郈郋邿迡 郈郋郈郕訄 邾訄郇訄 郈郋迮郅迮郕邽郋赲訄 郇訄 迮邾 赲郋迮迣郋 郈迮赲郋迣郋 迮郱郇郋迣郋 郋郈訄 訄郇郋郈郋郅郋迣邽迮郕郋迣郋 郈郋郅, 郈郋郈郋郅郇迮郇郇郋迣郋 郇迮郕郋郅郕邽邾邽 邽郇迮迮郇邾邽 郈邽郕郅迮郇邽邾邽, 邽 郋 赲郱訄邽邾郋赲郅邽郇邽邽 郈郋郅 邽 迮迣郋 郋訇赲迮郇郇郋邿 郕迣郱郕郋邿 邽迡迮郇邽郇郋邽. 迮郱迮郇訄邽 訇迡迮 郋郈郋赲郋迠迡訄 邽郇迮迮郇邾邽 赲邽郱訄郅郇邾邽 邾訄迮邽訄郅訄邾邽.

訄郇郇訄 郈郋迮郱迡郕訄 訇郅訄 郈郋迡迡迮迠訄郇訄 迣訄郇郋邾 邾迮邽郕訄郇郕郋迣郋 苺郇邽赲迮邽迮訄 虷迮郇訄郅郇郋邿 郱邽邽 訄迡邾邽郇邽邽郋赲訄郇郇郋迣郋 郋邾邽迮郋邾 郈郋 邽郇迮郅郅迮郕訄郅郇郋邿 迠邽郱郇邽 迡迮郇郋赲.

郕郋赲郋迡邽迮郅 訄訇郋 郅訄郇 訄邽邾郋赲, 郱訄赲迮迡邽邿 郕訄迮迡郋邿 訄郇郋郈郋郅郋迣邽邽, 苺虷.

28 郇郋訇 2012

邽邾邾訄 苤郅訄郇郋赲訄

郱迣郅迡 訇訄邽郕訄迡

23 郇郋訇, 2012

STREET NATION - 苺虴觓 虷觓!

郇郋郈郋郅郋迣邽迮郕邽邿 郅訇 郋赲邾迮郇郋 郕郅訇郋邾 郋訄訄郕 邽 Street.kg

邽迣郅訄訄 赲迮 郇訄 訇郅訄迣郋赲郋邽迮郅郇邿 苭邽郈-苭郋郈 赲迮迮 "苺郅邽郇訄 訄邽 - Street Nation"

迮 郋訇訄郇郇迮 迮迡赲訄 郈郋邿迡 赲 郈郋迡迡迮迠郕 迮郅郋赲郋迡郕郋迣郋 迡迮郕郋迣郋 迡郋邾訄.

November 6, 2012

Meder Ahmetov

Perverted guide to architecture

We live in architectural space but where does architecture live? Somewhere in our body... that's why there is always some claustrophobic effect in architectural space. The architect does not create claustrophobic spaces but he is in the infinite tendency towards them and in this tendency he is realizing his love for Utopia - utopia which forms the aesthetics of claustrophobic spaces.

Meder Ahmetov, Architect, Architectural Studio Museum.

October 23, 2012

Pr. Dietrich Ritz

Alternate Globalities: The Tablighi Jama'at as a global religious 'service-provider.'

As the TJ has expanded over the last 50 years to cover almost the entire globe, it has transformed into a global agent in its own right. The paper will discuss how the TJ managed to go beyond the ethnic and cultural roots of its model of interpretation and practice of Islam in South Asia and what consequences followed from there. While the TJ benefited from the high social, economic and cultural mobility of South Asian Muslims which have historically been shaped by the Moghul Empire, the Gujarati trading castes and the British colonial legacy, it managed to go beyond serving the South Asian Muslim diaspora. Today it struck roots in several countries as a significant force of religious mobilisation where none of the three factors has played a role. Countries such as France, Spain, the Maghreb with Morocco, Tunesia and Algeria, South East Asian countries such as Indonesia, Thailand, Kampuchea, and post-Soviet Central Asia have all seen the emergence of major Tablighi branches that primarily rely on local Muslims of non-South Asian extraction. Such expansion and differentiation have thrown up questions of consistency and homogeneity vs. pluralism and heterogeneity. To what extent and how does the TJ manage to preserve its core message and core procedures, where does it make amends and why so. It is proposed here to read the TJ from a sociological perspective as a confluence of pietist religious, social, economic and even political concerns, a conservative value-driven global agent with a modernist agenda of differentiation, change, advancement and empowerment. It serves the globalised religious market where it operates like a franchise with the same degree of professionalism and expertise, to produce, distribute and consume "salvation goods", to speak with Bourdieu applying his understanding of the Islamic field.

Privatdozent Dr. Dietrich Reetz is senior research fellow at the Zentrum Moderner Orient and senior lecturer of political science at the Free University Berlin. The focus of his research is on global Muslim identities with special emphasis on South, Southeast and Central Asia, as well as Europe.
Anthropology Club KG

October 10, 2012

Jamilya Kulova and Mamasadyk Bagyshov

Alternative Media Spaces in Kyrgyzstan: SmArt Media Group

Guests of the Anthropology Club for this week are Jamilya Kulova and Mamasadyk Bagyshov, principles of the professional media organization SmArt Mefia Group, Ltd. a multi-profile media company with six years of experience in the sphere of advertisement, marketing services and show business in Kyrgyzstan. SMG develops and distributes alternative products and services for business and culture in Kyrgyzstan. We asked Jamilya and Mamasadyk to reflect on the following question: What is the role of local Kyrgyz social and cultural (urban and more traditional) context in the conceptualization, development and realization of their products. Presentation will be accompanied by interesting visual materials.

3-迣郋 郋郕訇, 2012

訄邾訇 訇訄郅邽迮赲訄

迣郱 赲 邽訄迮

迮赲邿 迮邾邽郇訄 訄郇郋郈郋郅郋迣邽迮郕郋迣郋 郕郅訇訄

衪邽邾 郅迮郋邾 郕郈迮迡邽邽 郇邽訄 虷迮郇訄郅郇郋-郱邽訄郕邽 郅迮迡郋赲訄郇邽邿, 苺虷 郈郋赲迮郅訄 郋迡邽郇 邾迮 赲 邽訄邿郕邽 郈郋赲邽郇邽 苤邽郇迠訄郇 邽 苭迮邿郅郋郇迠訄郇, 迣迡迮 郈郋迠邽赲訄迮 訇郋郅郋迮 郕郋郅邽迮赲郋 郇邽迮郕邽 迣郱郋赲 迡郅 邽郱迮郇邽 邽 郕郅郇郋迣郋 郇訄郅迮迡邽 (迮郅邽迣邽邽, 郇 訄迡邽邽邿, 郱郕訄). 迡訄郇郇郋邿 郈迮郱迮郇訄邽邽 訄邾訇 郈郋郕訄迠迮 郕郋郋郕邽邿 邽郅邾 郋訇郱郋郋邾 郈郋迮郱迡郕邽 邽 郋訇迡邽 郈迮迡赲訄邽迮郅郇迮 赲赲郋迡 邽 郱訄郕郅迮郇邽 訄訇郋 郕郈迮迡邽邽邽.

訄邾訇 訇訄郅邽迮赲訄, 迠郇訄郅邽, 邽郅迮迡郋赲訄迮郅 郇邽訄 郋邽邽 郕訄迡迮邾邽邽 訄郕 , 訄邽邿 郈迮郈郋迡訄赲訄迮郅 苺虷

2023 51勛圖
7/6 Aaly Tokombaev Street
Bishkek, Kyrgyz Republic 720060

Tel.: +996 (312) 915000 + xt.
Fax: +996 (312) 915 028

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